1.0explore dancehttps://explore-dance.de/en/rich600338<blockquote class="wp-embedded-content" data-secret="yYC6ON28gA"><a href="https://explore-dance.de/en/kalender/prisma-3/">Prisma</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://explore-dance.de/en/kalender/prisma-3/embed/#?secret=yYC6ON28gA" width="600" height="338" title="“Prisma” — explore dance" data-secret="yYC6ON28gA" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script> /*! This file is auto-generated */ !function(d,l){"use strict";l.querySelector&&d.addEventListener&&"undefined"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!/[^a-zA-Z0-9]/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),o=l.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),c=new RegExp("^https?:$","i"),i=0;i<o.length;i++)o[i].style.display="none";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute("style"),"height"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):"link"===t.message&&(r=new URL(s.getAttribute("src")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener("message",d.wp.receiveEmbedMessage,!1),l.addEventListener("DOMContentLoaded",function(){for(var e,t,s=l.querySelectorAll("iframe.wp-embedded-content"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute("data-secret"))||(t=Math.random().toString(36).substring(2,12),e.src+="#?secret="+t,e.setAttribute("data-secret",t)),e.contentWindow.postMessage({message:"ready",secret:t},"*")},!1)))}(window,document); </script> https://explore-dance.de/wp-content/uploads/2023/04/Prisma©MehmetVanli.jpg24981633As a symbol for the diversity of perceptions, the collective around Rotem Weissman deals with the effect of prisms for their new piece. These alter the paths of light, scatter information in a variety of ways, and always bring with them a spark of magic. The children's diversity of interpretation is to be equally stimulated and explored in this piece. Like daydreams, situations and objects are decoupled from their meaning and new connections are created. The resulting worlds are experienced, discussed and shared together.Choreographer Rotem Weissman is deeply engaged in the exchange between the body and the imagination –in relation to oneself, but also in relation to others through interaction, reaction and shared imagination. Weissman's production BAUHAUS was awarded second prize at the Jerusalem International Choreography Competition. Residencies and fellowships have taken her to Studio Alta (Czech Republic), Tanz Station (DE), and the Mifal Hapais Cultural Foundation and Dis-Tanz Solo. After her training as a dancer, Rotem Weissman studied choreography at SEAD in Salzburg.